Behringer 2600 Blue Marvin Limited-Edition Analog Semi-modular Synthesizer

Authentic re-creation of a synth legend

Behringer dug in deep to meticulously replicate the original unit’s analog circuitry, and it shows. From its vintage-style voltage-controlled oscillators, filters, and amplifier to the modular patch-point architecture and normalled signal paths (which allow for incredible sound-design flexibility), the Behringer 2600 Marvin gives old-school-synth enthusiasts a truly authentic vintage semi-modular experience. Plus, it’s completely compatible with modern Eurorack setups, supplying an unreal launchpad for next-level sonic manipulation.

Patch-point architecture promotes sonic exploration

In the early days of modular synthesis, systems were massive, wall-filling monstrosities that were typically relegated for use in academic facilities or recording studios. When the 2600 hit the scene in 1971, it presented artists with a way to bring the awesome power of synths to the stage. Moreover, it served up a normalled signal path for players who wanted to access sounds quickly without having to physically patch together the modules using patch cables. With its semi-modular design, the Behringer 2600 Marvin sounds spectacular just using the hard-wired pathways. However, if you want to start getting experimental, just break out your trusty patch cables and see where serendipity takes you!

Myriad modulation sources for serious signal manipulation

One of the aspects of the Behringer 2600 Blue Marvin that makes it such a soundscaping powerhouse is its bevy of modulation sources. These include the usual suspects like sample & hold and ring modulator, as well as more rarefied beasts present in the 2600’s voltage processor section.

Accessible only via patch cables, the voltage processor section comprises two inverters, a lag time control, and an envelope follower, opening up the Behringer 2600 Blue Marvin to possibilities far beyond traditional fixed architecture subtractive synthesizers. Additionally, the Behringer 2600 Blue Marvin boasts four linked parallel connections that function as both inputs and outputs and can be used to duplicate and combine signals.

Modern features make this the most versatile 2600 yet

While Behringer went to great lengths to remain authentic, they didn’t pass on the opportunity to bestow upon their iteration some updated features that expand on the functionality of the original unit. For instance, unlike the original 2600, the Behringer 2600 Blue Marvin contains a dedicated LFO, meaning you won’t have to sacrifice one of your oscillators to use as a modulation source.

The Behringer’s 8U rack-mountable form factor is another welcome riff, giving users more flexible mounting options. And synthesists enjoy the unicolor LED faders that shine brightly on a darkened stage and serve as a helpful visual aid while shaping patches during a performance.